Oral sex produces a specific image: it bridges the fractures of the body onto the face. It is Ridley Scott’s facehugger forming a circuit between the movements of the face. The cock doesn’t penetrate the mouth as if it was a pussy; it does not represent the sexual act imagined within the heterosexual matrix. Rather, it acts as a plug, a bug, within the circular movements the face inflicts upon it. The pussy acts in the same manner; it is opposed to the open circuits of the face, making its way to erase the entirety of it. Making it into the original white slate it was before the black hole was formed. This is the very core of queer fucking; it is present within the matrix that the image of the body imposes on the bodies. It disturbs and distorts the image. It is not an act destined to find a way of producing the whole, unified body. Rather, homosexuality as an act is queer; it revolts against the image, opening up multiplicities to end the tyrrany of the face:
“Making love is not just becoming as one, or even two, but becoming as a hundred thousand. Desiring-machines or the nonhunian sex: not one or even two sexes, but n sexes. Schizoanalysis is the variable analysis of the n sexes in a subject, beyond the anthropomorphic representation that society imposes on this subject, and with which it represents its own sexuality. The schizoanalytic slogan of the desiring-revolution will be first of all: to each its own sexes.” (Deleuze & Guattari. 1987)
As queers, in other words, as queered and transgressive bodies: we have nothing to say but to introduce a carnival following but one rule. “To each its own sexes!”.